Problems of Intent and Conceptual art/music

This originally was written as a response to a blog entry here
http://audibleaffinities.blogspot.com/2009/04/social-music-with-brandon-labelle.html
but since my comment would not post, i expanded upon it here. In the last paragraph he poses some good questions. i get stuck before i get to those.

To depend on intent or even conception appears problematic in that one must assume the transition from a mesocosm, say an intermediary realm of visionary imagination from which the conception appears, into the corporeal is possible without any transformation. The implication is then that they are completely alike in syntax for this to be possible. I find this doubtful even if we find them inseparable. Change occurs and these type of changes also deserve reflection. Stockhausen, who to many represent the non reflective creative spirit run loose appears to not be so. If one reads his comments about his 'from the 7 days' works, one observes that he did not shy away from reflecting that the 'results' were often different than the 'intent' of the piece. In fact he quite celebrating what he in turn learned by how these ideas manifested. Concept requires an understanding of what happens when it is enacted. Otherwise we risk degenerating into an idealistic dictatorship of 'spirit over matter' not far from the realm of religion.

The relationship between concept and realization seems best when a marriage of the two. Each adding to the mix and mutually reflecting upon their own interaction. Hence one small step toward an 'inner commune'