The essence of all form might be memory, what holds and what and can be recalled. The post-war abandoned it possibly having little desire in returning, when that might have meant to the great destruction just witnessed. The latter minimalist kept it distance too. It extended the timeframe of the present and sought to exhaust the possibilities instead of encompassing what a reflection might cast about it. Both hovered in an endless unity that kept all within it borders. Shadows were the last either embraced.
Must we keep memories pools and mirrors at bay, or must we remained blinded in a ‘been there, done that’ way to not face the unfinished or changed. Must all work stem from the perpective of the sun. The sun that sees no shadows.
It took Zeus to have a Mnemosyne (Memory) that could gave birth to the muses. Might we find some place for her and her children in a direct fashion? Might we now gain by presences that so symbolize inspiration that appear beyond us yet as close as our shadows?
~~~~~~~~~~Updates From The Visionary Geography of Anaphoria Island. Mesotonal Music. (Just intonation and Microtonal systems).
lunar aspect
Sunday, April 7, 2013
Thursday, April 4, 2013
Speaking on Erv Wilson.
Here is an excerpt of what i had to say on reflection on the work of Erv Wilson. This is an extract from Stephen Taylors' Sonic Sky
Tuesday, March 19, 2013
A message from the Anaphorian Ambassador in Canberra
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| Site of Embassy in progress |
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| The Anaphorian flag |
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| Inside the SkySpace |
| Looking up |
Monday, February 4, 2013
Beyond One Sided Listening.
If we entertain there is something to Jung's Psychological types, and apply it to ways of listening things take on an interesting form. If nothing else it exposes the fallacy of either one or the others being more ego based than the others. It would be the extrovert who we would find interested in the 'sounds around us' while the introverts the sounds that come from our interior. Perhaps the further distinction into four types is better in showing other ways of hearing too. Sensation being the former with the intuitive with the latter. We also have the functions of thinking which analyses, breaks into pieces and defines the parts and material. The emotional on the other side would accept what emotions that come up spontaneously. Historically, music has been thrown back and forth between these, each claiming a superiority. It seems it is as if music is at odds with itself, even ill. We are constantly asked to listen to works in one way or another. Sometimes these are demands, that we listen in no other way. It is no wonder that in the midst of the so-called assumed freedom we find little that truly convinces of it. At this point, i would prefer some path to a complete way of hearing, a harmony or a even dialog between all of these.
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