~~~~~~~~~~Updates From The Visionary Geography of Anaphoria Island. Mesotonal Music. (Just intonation and Microtonal systems).
lunar aspect
Thursday, March 12, 2009
Premiere of Corroded Communes-Solo Piano
For those of you without macro-lenses for Eyes, The concert here includes a premiere of my first piano piece in maybe 35 years.
piano racket: music for the unconventional piano: march 13, 2009, 8PM: Chapel Space @ the Good Shepherd Center: 4649 Sunnyside Ave N, Seattle
The concert includes another premiere: Flirt by Bryron Au Yong as well as works by Lois Vierk, David Lang, George Crumb and John Cage. Quite a line up
I am immensely grateful to Tiffany Lin for making this opportunity available to me. The tuning has to be one of the more conservative i have used but that is no reflection on it beauty. It is a temperament invented by George Secor which works well for much 12 tone Equal temperament music. It differs than most temperaments in that it combines the recurrent sequence idea of Erv Wilson's Meta-meantone with attempting to preserve the idea of triads being equal beating. If one had to write for 12 Tone instruments but wanted a more pleasing tool to do so, this is a strong candidate. I tend to think that it might have persauded Lou Harrison to give it a try along his use of Werk. 3.
But the proof is in the pudding and recommend trying it yourself. Here is the tuning called Secor 2 as expressed in deviation for 12 ET. It is spelled out so that everything is lower to not scare those afraid to tune up. Ideally one would keep A at A=440. if you try it out let me know how it works for you.
Secor 2
C 0.0
C# -14.1
D -5.9
D# -7.1
E -10.7
F - 0.1
F# -14.4
G -2.9
G# -9.9
A -8.3
A# -2.1
B -13.6
[i am adding this info from George Secor]
! Secor5_23STX.scl
!
George Secor's synchronous 5/23-comma temperament extraordinaire
12
!
62/59
66/59
559/472
591/472
315/236
331/236
353/236
745/472
395/236
210/118
221/118
2/1
Sunday, March 8, 2009
Tuesday, March 3, 2009
Music for Trenches/in Progress
Ten Trenches
Digging for the Past, Unveiling the Future
A partnership between Bundanon Trust, University of Wollongong and Macquarie University
Funded by Arts NSW
Ten Trenches investigates the impact of sea-level rise on the Shoalhaven River in NSW. Auger holes and slot trenches reveal the flood behaviours of the river from up to 8,000 years ago – a period when the sea was about a metre higher than present – a level which is predicted to reoccur within the next 100 years.
Estuaries of the past; Centuries of dirt; We dive knife-in-mouth through tonnes of earth
A collaboration between a site-based artists and a river scientist: two brothers Michael and Tim Cohen. Ten Trenches is part of Bundanon Trust’s SITEWORKS project; a three year conversation between artists, scientists, historians, archaeologists and local people exploring the Bundanon site.
CREW: Tim Cohen, Michael Cohen, Sydney Bouhaniche, Oscar Garratt, Kraig Grady, Steph Kemode, Cecil McLeod, Katia Molino, Terumi Narushima, Brent Peterson, Craig Walsh.
UPDATE
By Day Two the crew of Ten Trenches were already 27 metres down, drilling through 15 metres of beautiful soft river sand to reach a particular time period known as Pleistocene, which dates from 10,000 years and older. The crew have discovered traces of an extinct species of tree.
On Day Three the seven-tonne excavator arrived and the digging of the slot trenches begun. To date, four trenches have been dug, positioned throughout the paddocks at Bundanon.
Elephant paints Elephant
I could not figure out how to embed it. if you know how let me know.
Friday, February 27, 2009
Johnathan Marmor's google concert directions plus An Interview in Deviant Nation.
And here is a recent Interview that is appearing in Deviant Nation by Seth Harris. This should keep one guessing how this happened. (link now fixed)!
Tuesday, February 24, 2009
Saturday, February 21, 2009
From an Interview with Tessa Dick
What was Philip K. Dick’s relationship to music?
TD: Phil loved music. His first job was as a clerk in a record store (Art Music). He loved classical music first, but in the 1960s he discovered rock and roll. At one time he played a triangle in an ensemble put together by the avant-garde composer Harry Partch.
Now wouldn't that had been nice to listen and see!